In a studio, it is more than funny to build a small automaton that will play the violin, or a nigerian drum : rather an irreverent joke about Music, and about the human machine as well. So what ? Will a simple mechanism be able to play a violin, when a student spends so much time in learning how to bow ? Will the talking-drum sound, while beaten by the stick through a motor and some gears, instead of a dancer with muscles ? However, during a concert, the other way around : the constructor becomes a conductor. Instead of a screw driver, he now holds a trumpet. His fellow musicians are nobody else than his metallic contraptions. Their nerves are nothing but rubber rings. Their heart, some recycled electro-motors taken from old record-players. He has to trust on these light and fragile creations. The composition is based on this delicate machinery. Then a strange phenomenon occurs in the music, that makes the necessary emotion come less from the man, than from the machines around him. : 2008 :Jan.11: Guarda Theater, Portugal Feb. 7 / 8: Le Grand Mix, Tourcoing, F March 14: Transmissie, Havenkwartier, Deventer, NL April 18: "Téléconcerts" + Pierrick Sorin, Maison de la Musique, Nanterre, F May 6: "Rag-Time" with Grimo, Musique Action, Vandoeuvre, F June 4: "Pour Jacques Rémus" with Pierrick Sorin, Théâtre de Morlaix, F July 6 : Les Arts des Vignes, Sussargues, F (tbc) Sept. 5: Expo Zaragoza 2008, Spain [ FRANÇAIS ] |
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